Monday, December 10, 2012

Paul Stone – “Reprise of Swing” Linn Records

Reprise of Swing

According to Leeds based singer Paul Stone, “...a record is a living breathing thing which is never finished so why take years over recording it?” Consequently his latest release on Linn Records, “Reprise of Swing”, was recorded over two days at Sphere Studios in London, and taken as a complete piece of work, has a loose, comfortable feel, that indicates how such an ambience can be achieved with dedication and enthusiasm. “Reprise of Swing” takes an eleven piece band and a collection of both familiar compositions and original material, and produces a coherent album of big band swing, silky jazz and uplifting easy listening arrangements.  Simple Minds’ “Don’t You Forget About Me” is given an arrangement that will bring a grin to the face of even the most cynical listener, whilst U2s’ “With or Without You” manipulates the mood and tempo of the original to produce something wholly unrecognisable yet somehow familiar. “Lovely Day” by Bill Withers and “Wicked Game” by Chris Isaak are nearer in essence to the originals, but here without the baleful melancholy that Isaak infused his version with. The Doobie Brothers “Long Train Running” is again virtually unrecognisable from the familiar version, but given a swing makeover is given a new life and personality.
Perhaps the cover version that would appear on the surface to take most risks, but which in reality, comes closest to the essence of what “Reprise of Swing” is aiming for, is “Sex on Fire” most likely recognised from the Kings of Leon version. Given a big band swing identity, the song bristles with vitality and polish. Stings’ “Englishman in New York” fits easily into its’ new jazz framework, whilst the version here of Barry Manilow’s “Could It Be Magic” although lacking the intense passion and romanticism of the original, is given a light hearted arrangement, which if not passionate to listen to is certainly entertaining.  The original pieces fit in beside the covers with ease and indicate a level of musicianship that feels comfortable with this area of jazz. Paul Stone portrays himself as the consummate entertainer who has the showmanship to pull off a collection of disparate covers such as these with effortlessness.
Of course “Reprise of Swing” is doing nothing new in covering contemporary and divergent tunes, as jazz has been covering show tunes and popular chart songs for decades. To criticise the album in this way would be missing the point however. “Reprise of Swing” is keeping alive a tradition of music that is about pure entertainment and ease of access. The listener has no need to analyse and critique these pieces; they are presented here to be uncomplicated and reassuring. At a time of national austerity and unease, music as inspirational and as joyous as this should be required listening for all.

Paul Stone "Reprise of Swing" on Linn Records

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