It
would not be too lofty to think of the arrangements here in the same frame of
reference as Miles Davis’ “Sketches
of Spain”. There is a deep and sensuous melancholy underpinning tracks such as
“Sometimes I Feel Like A Motherless Child”, “A House Is Not A Home” and
“Skylark” that is a masterpiece of musical production. To fully encompass the
fragility of sound these pieces are capable of is an exceptional skill. “Dreamsville” and “The Rose” are awash with
lavish and melancholic string arrangements by George Hall providing an intimate backdrop for the restrained
trumpet lines. Music such as this never ages and will always be part of the
music lover’s lexicon. “Creepin’” softly lifts the mood with a subtle, yet
driving, funky grounding and the album concludes with spine tingling version of
Branford Marsalis’ “Mo’ Better
Blues” from the 1990 film soundtrack.
One of the most important lessons to take away
from Ian Chalks’ “Dreamsville” album is to not be afraid of encompassing the string
arrangements in jazz. Think Miles Davis,
think Charlie Parker “…With
Strings”, and allow yourself the luxury of the drifting through these seas of
sound. Marvel also at the “classic” jazz evoking cover which perfectly complements
the music and then, when you have gorged on these delicacies, treat yourself to
last years “Down Time” album which illustrates what a moving player Ian Chalk is in a less opulent, but no
less poignant, environment.